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  • Marc Rodriguez. Ink on paper. http://flic.kr/p/e1x4vm 
https://www.facebook.com/MarcRodriguez865

    Marc Rodriguez. Ink on paper. http://flic.kr/p/e1x4vm 

    https://www.facebook.com/MarcRodriguez865

    • 1 week ago
  • Marc Rodriguez. Ink on paper. http://flic.kr/p/e5o1bihttps://www.facebook.com/MarcRodriguez865

    Marc Rodriguez. Ink on paper. http://flic.kr/p/e5o1bi
    https://www.facebook.com/MarcRodriguez865

    • 1 week ago
  • Gabriel Serra Tribute to Frank Frazetta
Digital ink composition

    Gabriel Serra Tribute to Frank Frazetta

    Digital ink composition

    • 1 week ago
  • Another Take on Supersonic

Our ability to fly at supersonic speeds over land in civil aircraft depends on our ability to reduce the level of sonic booms. NASA has been exploring a variety of options for quieting the boom, starting with design concepts and moving through wind tunnel tests to flight tests of new technologies. This rendering of a possible future civil supersonic transport shows a vehicle that is shaped to reduce the sonic shockwave signature and also to reduce drag.

Image credit: NASA/Lockheed Martin

    Another Take on Supersonic

    Our ability to fly at supersonic speeds over land in civil aircraft depends on our ability to reduce the level of sonic booms. NASA has been exploring a variety of options for quieting the boom, starting with design concepts and moving through wind tunnel tests to flight tests of new technologies. This rendering of a possible future civil supersonic transport shows a vehicle that is shaped to reduce the sonic shockwave signature and also to reduce drag.

    Image credit: NASA/Lockheed Martin

    • 1 month ago
  • In the beginning of the times

 by Ithilyen

    In the beginning of the times

    by Ithilyen

    Source: silverwitch
    • 1 month ago
    • 20 notes
    • #fantasy
  • Megapolis  by mnv78

    Megapolis

    by mnv78

    • 1 month ago
    • 1 notes
    • #cityscape
    • #fiction
  • MOREAU, Gustave Oedipus and the Sphinx 1864.

Moreau’s interpretation of the Greek myth draws heavily on Ingres’ Oedipus and the Sphinx of 1808 (Musée du Louvre, Paris), which was exhibited in Paris in 1846 and 1855. Both painters chose to represent the moment when Oepidus confronted the winged monster in a rocky pass outside the city of Thebes. Unlike her other victims, he could answer her riddle and thus saved himself and the besieged Thebans. The painting was a success at the Salon of 1864; it won a medal and established Moreau’s reputation. Moreau made more than thirty studies for this work and many repetitions after it.

    MOREAU, Gustave Oedipus and the Sphinx 1864.

    Moreau’s interpretation of the Greek myth draws heavily on Ingres’ Oedipus and the Sphinx of 1808 (Musée du Louvre, Paris), which was exhibited in Paris in 1846 and 1855. Both painters chose to represent the moment when Oepidus confronted the winged monster in a rocky pass outside the city of Thebes. Unlike her other victims, he could answer her riddle and thus saved himself and the besieged Thebans. The painting was a success at the Salon of 1864; it won a medal and established Moreau’s reputation. Moreau made more than thirty studies for this work and many repetitions after it.

    (via rhaegartargaryen)

    Source: c0ssette
    • 2 months ago
    • 401 notes
    • #painting
  • Dorothy OZ

    by Yayashin

    (via exotication)

    Source: fantasy-art-imagination
    • 2 months ago
    • 86 notes
    • #girls
    • #fantasy
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